HT to Joe Maurone for this find from p. 736 of Atlas Shrugged:
There was an air of luxury about the room, but it was the luxury of expert simplicity; she noted the costly furniture, carefully chosen for comfort, bought somewhere at a time when luxury had still been an art. There were no superfluous objects, but she noticed a small canvas by a great master of the Renaissance, worth a fortune, she noticed an Oriental rug of a texture and color that belonged under glass in a museum. This was Mulligan’s concept of wealth, she thought—the wealth of selection, not of accumulation.
From pages 66-67 of Atlas Shrugged:
Her apartment was two rooms on the top floor of a skyscraper. The sheets of glass in the corner window of her living room made it looks like the prow of a ship in motion, and the lights of the city were like phosphorescent sparks on the black waves of steel and stone. When she turned on a lamp, long triangles of shadow cut the bare walls, in a geometrical pattern of light rays broken by a few angular pieces of furniture. She stood in the middle of the room, alone between city and sky.
From Ayn Rand’s Atlas Shrugged, p. 85:
The office suited him; it contained nothing but the few pieces of furniture he needed, all of them harshly simplified down to their essential purpose, all of them exorbitantly expensive in the quality of materials and the skill of design. The room looked like a motor—a motor held within the glass case of the broad windows. But she noticed one astonishing detail: a vase of jade that stood on top of a filing cabinet. The texture of its smooth curves provoked an irresistible desire to touch it. It seemed startling in that office, incongruous with the sternness of the rest: it was a touch of sensuality.
Is this how you envision your ideal home and workspaces? If so, have you reached your ideal?